Tag: jewellery

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Dazzle and shine with Mirror work Accessories

Nothing attracts as much attention and
has playful appeal like the glint of a mirror work embroidery and
jewelry. This traditional craft has been seen re-invented in various
forms season after season and is a timeless classic that proves to be
in fashion no matter what the changing trends are. The sparkle and
mesmerizing shine of mirrors reflecting the sunlight brightens up any
summer look, be it traditional or western and
instantly adds appeal and glamour to your outfits and accessories.
Even jewelry embedded with cutout mirror patterns has transited from
folk pieces into modern designer styles and can be seen glinting on
the ears, wrists and neckpieces of the fashion elite.

Historically,
Mirror work has been in vogue for centuries and is popularly known as
“Sheesha” or “Abhala Bharat” embroidery. This is an art form
in which mirrors of various shapes are fixed on to the fabric through
embroidery. In recent times however, mirrors have been replaced by
reflective luminescent metal pieces of different shapes and sizes,
particularly on apparel. Mirror work is used on various fabrics such
as georgette, crepe, cotton, silk, chiffon and many more which are
then turned into attractive apparel and accessories ranging from
sarees, to cushion covers and belts.

Usually having folk origins, this
technique has been popular in clothing and jewelry in hot and dessert
cultures such as Rajasthan and Gujrat in India as well Morroco and
other Arabic regions as well. In fact, mirror-embedding techniques
were also popular in other forms of artistic expression and
decoration such as palace decorations, furniture, artifacts and
paintings.

Indian designers such as Abu Jani and
Sandeep Khosla, Manish Arora, Anita Dogre as well as countless others
have played around with mirror work techniques to provide us with
stylish and beautifully crafted garments and accessories season after
season. International designers like Jean Paul Gaultier and Alexander
McQueen have also used mirrors as style accents repeatedly in their
clothing and accessory collections.

Our accessories
at Pookaari have many pieces that extensively use mirror work ranging
from jewelry to bags and other accessories. Designers Fooljhadi and
Raagini Mittal have used mirror detailing in their earrings to create
a dazzling and understated bling look.  Clutch bags by Prachi Gwalini
are also embellished with mirror work details. Aiyana has designed an
entire collection of Potli bags with intricate mirror embroidery to
compliment all your Indian outfits and look pretty at any occasion.
Most unique are Pookaari’s own collection of I pad sleeves and
laptop bags which are embellished with intricate and colorful Kutch
embroidery and mirror work detailing. A far cry from your run of the
mill electronic cases, these covers are a great way to express
personal taste and individuality and stand out in a crowd. So be
bedazzled, and buy mirrored accessories this summer to a add shine
and sparkle to your look.

Ringing in a new trend: Statement Rings

When it comes to any kind of jewelry in 2016, bigger is definitely considered better. This holds true especially in the case of statement rings. Gone are the days of small delicate looking barely noticeable bands around your fingers. These days, the fashion forward brigade can be seen sporting huge finger adornments in various shapes, sizes and designs. These attention-grabbing styles attract attention and compliments, adding flair to your traditional Indian outfit. They also draw attention to your perfect manicure and slender digits. Statement jewelry can be tough to pull off, especially when it comes to making it vibe with your other accessories. However, rings can be easy to wear and usually go well with almost any of your other jewelry pieces without creating a look that is over the top.

Internationally, designers Roberto Cavalli and Elie Saab showcased single statement rings in their fall winter 2016 collections, using them as a focal point of interest. Gucci designers had their models sporting multiple art deco inspired pieces together for a richer and more opulent look.

Historically these rings were called cocktail rings and were worn during the prohibition period of the 1920’s in America, which was a time of breaking barriers and setting new trends and society. In traditional Indian jewelry, Mughal kings and queens were both known to wear large rings adorning one or many of their fingers. Tribal Indian jewelry also has many examples of large statement rings, some of which have a mirror embedded in the center.

These days the styles and designs of statement rings are extremely varied. Some are traditional Indian pieces embedded with stones, pearls and other ornaments.

Traditional gold pieces are also popular, and many have ghungroos or tassels hanging from them. On the more modern side there are many styles with eighties influences, animal faces , flowers and large ornate stones. Knuckle-dusters, originally a part of punk and Goth jewelry, have also gained popularity. Many rings cover the entire length of a finger, and some are even spread over the entire width of your hand or more then one of your fingers. The versatility of statement rings makes them easy to reuse. You can wear the same piece casually to work or lunch, in the evening for dinner, to a party and even to a wedding. This makes it a good investment and value for money.

At Pookaari we have beautiful Kundaan statement rings, pearl adornments and larger then life funky wheel designed pieces by designer Preeti Mohan, Ragini Mittal and Sneha Rateria. Each of these pieces has received a great response and would make a fabulous addition to your jewelry box.  So go ahead and buy yourself a few statement rings, and revel in the stylish and fashion forward look they add to your outfit.

One can say that Onam is the beginning of the festive season in south India. Most people associate Oname with elaborate pookolams (flower rangolis ) and sadya (the traditional feast). My favourite memory of Onam is a day-long celebration ending with a delicious sadya at 5.00 p.m.

Of course, for most of us, a festival means time to dress up. And Onam is unique when it comes to clothes. No other festival in India has its own colour.

The colours of Onam — ivory and gold — are derived from the kasavu sari and look wonderful on all skin tones. A more contemporary way to dress up this Onam would be to retain the colour palette and experiment with fabrics and accessories.

If you’re a fan of the sari look, go for a soft ivory Chanderi with a gold border instead of a traditional Kerala cotton sari. Even better would be an ivory Chanderi with a Ganga-Jamuna border or a gold-and-silver border. Two tones are trending so this is your chance to shine.

The blouse that goes with a Kerala sari needs a special mention. A decade ago, most women wore a red or a green blouse with the kasavu sari. But, now, the blouse is the mainstay of the look. What I love about the kasavu sari is the different looks you can create by just changing the blouse. Scout for a variety of fabrics to make a set of perfect blouses for different occasions. The morning look can be a simple geometrical patterned blouse and, in the evening, the same sari can be paired with a brocade blouse with lots of embroidery.

Time for a temple visit? Pair the kasavu with an arakku (deep red) kalamkari blouse. The traditionalannapakshi pattern will set off the plain sari. Patchwork blouses are also very fashionable now. You can mix and match vintage brocades with Mangalgiris to create unique blouses.

Those who are more comfortable in a salwar-kameez can experiment with an ivory anarkali and a gold Chanderi hand-embroidered dupatta . The latter accentuates the entire ensemble. If you want to give the salwar a modern twist, wear it with palazzos and a dupatta . For a formal look, you could wear the top over a pair of coloured cigarette pants in gold Tussar. For a more fun look, wear an ivory tunic with a gold border over a crushed silk full-length skirt embellished with tiny pom-poms at the bottom.

Accessories are very important to get the Onam look right. Traditionally, women wear gold jewellery but you can be trendy and experiment. Those wearing the anarkali can wear big bold gold-dipped jhumkasand dainty pearls. But keep the necklace simple and elegant. Another way is to pair the salwar-kameez with a beautiful gold-dipped cuff and a pair of simple earrings. Or make heads turn by wearing an edgy statement necklace with your Kerala sari. A finishing touch is a strand of fragrant jasmine flowers in your hair.

Onam has also inspired film fashion. In movies like Aisha and Dil Se , Sonam Kapoor and Preity Zinta looked stunning in ivory saris and gold-toned jewellery.

-ShriVyshnavi Annush for The Hindu MetroPlus on 27th August 2015

http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/its-ivory-and-gold-time/article7583877.ece

Baubles! Its raining baubles this season at Pookaari. With Rakshabandhan and Onam around the corner the prefect gift is a beautiful piece of jewellery. Play dress up this festive season with jewellery. Wear a pair of aqua colored drops with your anarkali. Or wear a fabulous necklace on a silk saree for the onam party.

Jhumkas are perfect for the monsoon! There is a lot of history around this beautiful piece of jewellery. Jhumkas can be traced back to the era of the scriptures. If there ever was a piece of jewellery that can be called romantic and whimsical it most definitely is the jhumka.
There are myriad options to choose from. Pick from the different semi precious stoned jhumkas or the simpler two toned gold silver jhumkas. Wear a semi precious jhumkas in jade and crimson colors with an ethnic angharka. Another trendy way to style yourself is to wear a two toned jhumka with a simple solid colored burnt orange colored dress.  Sonam Kapoor the trendsetter seems to agree too! Have fun with beautiful traditional jhumkas during the monsoons!

Traditional Jewellery of Tamilnadu
Jewellery has always enjoyed a prominent mention in ancient Tamil literature. The five great Tamil epics of the Sangam period (3rd to 4th century BC ) mention the different types of traditional jewellery of Tamilnadu. It is indeed a pleasant surprise that most of the ornaments that have been mentioned in the ancient epics are still in existence today after many centuries. It is a clear sign that the women of Tamilnadu have had a lasting love affair with their jewellery and therefore managed to preserve most of the styles of the Sangam era. An important reason could be the dance of our state, Bharathanatyam, through which these precious styles of jewellery have been showcased and therefore have still managed to be around. Another reason for this could be that these timeless ornaments were handed over the generations and that is why they have stood the test of time. I think its a bit of both!
Chettinadu is a region in the Sivagangai district of southern Tamilnadu famous for its jewellery. The adigai is a very typical South Indian piece of jewellery typical of the Chettinadu region. It is  is a necklace that is worn close to the neck accentuating it. It is made of gold and red rubies otherwise known as kempu stones. Another common style of the adigai is the single stone diamond adigai. An adigai worn with your kancheevarams is the ultimate regal fashion statement. If you’re a South Indian woman worth her salt you definitely must own an adigai.
Contemporary fine jewellery from designer houses like Chopard and Bulgari are inspired by Mother Nature. The maangamalai and the kizhikaasu malai were no different. The mango fruit symbolizes fertility and the maangamalai was a must have piece of jewellery in Tamil families. It is a long necklace made of small gold mangoes threaded together on a chain with nagasau work on them. Nagasu work is a special form of intricate craftsmanship on gold jewellery found only in the south of India. The South Indian nagasu craftsmen are sought after by jewellery retailers from all over India for their beautiful handiwork on gold jewellery.
The kizhikaasu malai is an authentic Chettinadu necklace. It is a statement piece made with gold coins and a parrot on top of each of the coins. In the olden days, the women of the erstwhile families of Chettinadu had the goddess Lakshmi embossed on the front side of the coins. It was considered auspicious to wear the goddess of wealth and the popular belief still continues. Their family emblem, usually their fort, was embossed on the reverse side of the coins. One can order a kizhikaasu malai with the jewellery craftsmen of Chettinadu and you will find that even today an illustration of a fort is embossed on the reverse of the coins.
The odiyanam or the hip belt is a beautiful ornament that flatters the woman wearing it. It is made of gold and usually has goddess Lakshmi, parrots, peacocks and serpents (nagar) carved on it using the nagasu technique. Today in more modern designs you can find diamonds embellishing the front part of the hip belt called the mogapu. Personally I favour the old fashioned nagasu odiyanam. It is definitely a thing of beauty to treasure and hand it down to your daughters.
Popular earrings of Tamilnadu are the jimikis and the magara kuzhai. The jimikis are still favourites of the women of the South. You can choose between the big gundu gold jimiki or the diamond studded one. The magara kuzhai is a fish shaped earring studded with red rubies and pearls. Mookuthi and Besari are nose studs. They are usually studded with rubies and pearls or diamonds. You’ll find the women in the southern parts of Tamilnadu still wearing them on a regular basis.
The craftsmen of Chettinadu still hand make these precious pieces of jewellery. Since they are handcrafted there are bound to be imperfections. These imperfections are what makes these ornaments special, since no two pieces of jewellery can be the exact same. This is exactly why these pieces of jewellery are a pleasure to covet and own. Cherish and enjoy wearing these vintage treasures that have been handed down to you with your kancheevaram sarees.

-ShriVyshnavi Annush

Shop now for beautiful jimkis (or jhumkas) by Deepa Sethi on www.pookaari.com